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Story of MATC



White Hot

Matt Karshna Rises to Top of Snow-Sculpting World

Trained in the mid-’90s at MATC as a computer graphic artist, graduate Matt Karshna is now internationally known for his artistry in snow. Karshna went to the Winter Olympics in February as part of the U.S. snow-sculpting team. He and two teammates carved a graceful, twisting abstract work, titled Aeternus (“eternal”), from a block measuring 1,000 cubic feet. While they didn’t win a medal in the competition with 14 other countries, they reveled in their moment on the world stage.

The U.S. team featured an all-Milwaukee roster: Karshna, Dan Ingebrigtson and his son, Levi Ingebrigtson. Their concept for Aeternus beat out 17 other designs and got them to the Olympics. “Our piece won hands-down but the other applicants had competed more in international events,” Karshna said. “We just happened to have the credentials to apply.”

Invitations Flooding In

The team earned those credentials thanks to 12 years’ sculpting together. A milestone was their People’s Choice Award at the 16th annual U.S. International Snow Sculpting Competition in 2001 at State Fair Park, where they created a massive wooly mammoth. A sculpture called
Sea Dance in 2004 at the Wisconsin Dells led them to compete at the United States Nationals Snow Sculpting Competition at Lake Geneva. This past winter they traveled to Maine for an exhibition. Invitations to compete or exhibit at next year’s national and international festivals are flooding in.

“We didn’t travel out of state until last year,” Karshna says. “Now we’re at the point where we’ve proven ourselves and are being invited all over the place.”

MATC Instructor Connection

Along with the travel invitations comes the need for underwriting. Carma Labs in Franklin, the makers of Carmex lip balm; PPG Co. of Oak Creek; Design House in Mequon; and Billet Mechanical in New Berlin currently sponsor the team. The Carma Labs sponsorship has an interesting twist. To get the Carmex logo for the team’s jackets, Karshna was told to contact his former MATC instructor, Bob Stocki. Turns out Stocki does freelance design work for the company.

Karshna credits Stocki with helping him land his first full-time job as a graphic designer, at the Shepherd Express newspaper. In 1997 he won a Milwaukee Press Club award for best news page design. After he left the newspaper he worked other graphic design jobs for a few years before he left the field. His day job as facility director for the St. Francis school district supports his growing family and provides the flexibility he needs for his other career as a now-renowned snow sculptor.


Yet he’s always an artist at heart and in practice. “The idea for the Olympics came from an abstract design I drew, and afterward we sculpted the model in clay. The clay sculpture sat on the shelf – literally – for five years. When the opportunity to apply for the Olympics came up, we chose it because we knew international competitions tend to want abstract art instead of representational.”

Karshna says the team enjoys brainstorming new ideas for sculptures. “The process extends throughout the year because we’re really good friends, and we’re always talking about what we’re going to do next. Dan is the sculptor who turns whatever comes from our imagination into works of art.” Dan Ingebrigtson works for Design House in Mequon, which produces ornamental garden sculptures. “He’s an outstanding artist,” Karshna says. “He also knows just what will work – what the judges and the public would like.”

The team brings their clay models to a master mold-maker artisan who produces sturdy polyurothene models. “Most other teams bring along their clay models, which break easily when traveling. That could be a disaster. But we use this thing that’s as solid as a bowling ball. It can be dropped and thrown around.”

Art Emerges from Snow Cubes

At the snow-sculpting site, artists are provided dense blocks of manmade snow from which emerge abstract designs, intricate winged figures, cartoon or storybook monsters, whimsical fantasy creatures and towering buildings that change character and as they harden or melt. Typical tools are a saw, ladder, ax, ice scraper and bucket of water. The ideal temperature is in the 20s – below freezing but warm enough for hours of chipping, packing, carving and pounding.

To win snow-sculpting contests requires outstanding teamwork. That’s an area where Karshna and the two Ingebrigtsons enjoy a decided edge. “I grew up in Franklin with these guys,” Karshna says. “We’re lifelong friends. These are guys I go fishing with, hang out with. We’ve done some phenomenal snow sculptures and I think it has a lot to do with how well we get along.”

They’ve had their share of setbacks. “We had some hard years. We’d put in a ton of work, and we weren’t winning or progressing. We were questioning whether or not we should quit. But every December when the applications started rolling in, we’d say let’s just do it anyway.” Finally, their persistence paid off. In Torino, Italy, Aeternus may have melted away, but remains an eternal triumph for Matt Karshna and his determined teammates.


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